A young couple get involved with a smuggler

A comedy series centered in the interactions of 5 mothers through the messaging service Whatsapp.

Billy the Kid fakes his own death at the hands of Pat Garrett, but is forced to come out of hiding to stop a ruthless cattle baron from destroying a small frontier community.

Ishq Brandy is a masala potboiler which narrates a story of three friends who have a tag line "if you are my friend, I don't need an enemy"... Teji, Gura and Pritam from three different worlds, bound by their respective Ishq, do something under the spell of Brandy that they unknowingly put their Ishq(s) at stake and what follow are rib-tickling sequences which decide their fate.

A parson arrives in the midst of a bunch of wild cowboys. Expecting a male parson, the boys set out in full force to receive him, but on the road when they suddenly run into the one-horse shay of a female parson, they keel over in surprise. Right after her arrival the boys begin to lay plans to get in right, while the parson loses no time in starting a campaign for the defeat of Satan. She begins by posting a sign near the town horse trough to the effect that "Cleanliness is next to Godliness." Of course the boys see the sign and immediately there is a sudden disposition among them to make use of soap, water and brush. One cowboy in particular is very much in love with the parson. He shows his affection only too plainly, and so the boys decide to play a trick on him. Their practical joke unintentionally is not only the means of frustrating a plot against the parson, but it brings the parson and her lover together.

Witness the chronicles of the final months of Brandy Norwood's pregnancy and birth of her daughter in a four-part miniseries.

An artist frames a parson for poisoning his wife.

A psycho who has contracted AIDS blames women for his disease, and begins to stalk and kill beautiful girls.

For The Record, a series of one-hour and ninety-minute film dramas, started on the series, Performance, as a subseries called Camera ’76. Aired Sundays 9:00-10:00 p.m., January 1977 to 1986.A collection of docudrama-style short stories on diverse but socially relevant (and very Canadian) topics such as unemployment, euthanasia, spousal abuse, televangelists, aboriginal issues, and anglophone-francophone relations. This series attracted most of the 'big name' Canadian actors and directors of the time.

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